Every so often I take a random punt on some obscure album, most frequently these days as a result of hearing something on a computer game.
It was Last.fm that spurred my most recent gamble.
I’m a big fan of the original musical War of the Worlds. When I was about 5 I couldn’t choose between that, Mike Oldfield’s Tubular Bells or Vangelis’s Spiral as my favouritest things ever (which might say a lot about me). I’m considerably older now, and have a bad trance/dance habit, because it makes the endless hours on the turbo more bearable. When last.fm pitched up the Dario G remix of Brave New World I thought “Hello!”
My take-a-punt limit is around 4 quid, and it works like this: I hear a track I like. I find the album on MP3 download (if it’s not downloadable all bets are off). If the number of tracks on the album I like sufficiently to buy individually is large enough that it would cost more than the album, I’ll take a punt, up to the limit of 4 quid.
In other words, when Ln > A ≤ 4, where L = liked track, n is an integer smaller the number of tracks on the album and A is album cost.
Ulladubulla sneaked in on the boundary at £3.89, with 4 tracks I was sure I liked, one I thought I liked, and 17 tracks on the album.
I tweeted my initial review in realtime, and it went like this:
• Took the 4 quid punt. Papa Ootzie’s opener is creepy in a Stranglers, Men In Black gone really dark kind of way.
• Zube’s Horsell Common & the Heat Ray is Will Smith meets Ghost Dog. Initially I flinched but it might be a grower.
• Oooh. Tom Middleton’s Cosmos re-edit of the Eve of the War has some fat reverb reminiscent of Pendulum’s grabbier stuff. Like.
• N-Trance turns Forever Autumn into a dance track. Not as bad as I feared. Wouldn’t be out of place on a chillout mix.
• Onto Max Mondo’s The Artilleryman and the Fighting Machine. Unconvinced. Needs more effort 2/5.
• There are weird noises in the background that make me think Shaggy is going Bombastic on a Martian. Um. Niche.
• Stephen Murphy’s light-handed approach to the Red Weed is interesting. Layers whimsy over the creeping horror.
• Todd Terry vs David Essex. Wangst turns chirpy cockney. Who’d've thunk?
• OMG. WTF has Max Mondo done to Julie Covington? KILL IT WITH FIRE!
• That was the first track I was forced to skip because it was just too awful.
• Hybrid’s remix of The Eve of the War is the sort of track you’d find on WipeOut HD. Before you replaced the soundtrack.
• Stephen Murphy’s Dead London is what happened when Jamie took his magic torch into the 28 Days Later universe.
• Sticking an Alan Parsons-esque piano/drum riff on a track doesn’t make it a remix. The Spirit of Man (Spirit of Dub) gets 1/5.
• Dario G’s Brave New World. Am liking it already. Take THAT traffic queue! I am fixie ninja! Choke on my l33t filtering skillz!
• Ben Liebrand’s remix of the Eve of the War is making me giggle. I don’t think that was the intended reaction.
• OK. Max Mondo’s Horsell Common and the Heat Ray is what got me started on this, so it can’t be that bad.
• And oddly, it’s just meh. Of all the tracks so far it doesn’t really stand out in anyway, good or bad.
• DJ Keltech’s take on same song reminiscent of the final levels of Rez. Multiple layers of implied architecture
• Zube assaults the Spirit of Man and leaves it beaten, broken, bleeding, humiliated and suffering from PTSD in a corner.
• Ulladubulla vol 2: worth the 4 quid, but only because it would have cost 40p less to buy the 4 best tracks (out of 17) individually.
Having listened to the album a few times since then, I’d largely stick with the above (particularly the kill it with fire comment), with a couple of additions.
Although Zube’s take on Horsell Common isn’t as bad as it first sounds, when you are stuck on the turbo in desperate need of distraction you start listening to lyrics. Maybe the effort was doing something weird to my brain but the lyrics to that particular track seem to be particularly offensive, advocating a degree of cultural and xenophobic paranoia so intense I am amazed the Jeff Wayne estate was willing to allow his name to be associated with it. I could be convinced I were imagining it were it not for the fact that (a) I’m not; and (b) the lyrics of Zube’s Spirit of Man remix convey some equally dubious sentiments.
On the other hand, I am more enamoured of Papa Ootzie’s opener, the Eve of the War, which takes a look at the situation from the Martian POV and would make a nice little flash piece:
The problem is, of course, the humans.
Mars is incapable of sustaining life: our efforts to sustain the biosphere are exhausted. The water table and temperature decrease annually, as does our population. The only consequential course of action is the conquest and occupation of Earth, our young Sun-neighbour. The means and methods for this attack are already being realised. A large scale hydrogen accelerator will be constructed. This will launch suspension pods carrying the assault forces…
Unlike some other reviewers, I’m not certain that it is fundamentally wrong to update the original musical with rap and dance tracks. Taking stories and transposing them to a contemporary setting is done frequently enough: why not musicals? I’m less convinced (to put it mildly) by Zube’s attempt to shoehorn an attack by Martians into a rant about the rise of Islamic fundamentalism, and his take on the Spirit of Man, which seems to be a Daily Wail-inspired rant about peedoes and immigrunts rather than a celebration of human perseverance and determination.
I’m not disappointed in the album, particularly, but I wouldn’t recommend it unless you have a taste for mash-ups that shouldn’t work but sort of do and four quid burning a hole in your pocket. If I were a sackperson with her very own poppit and a retry button, I would not buy it again.